The original version of this song, Puisque tu pars, was written in the 80s by French Jean-Jacques Goldman. The writter of the english lyrics is Bryan Adams.
Category: Tracklist Au coeur du stade video
With this track, it is the action, the change, the travel. Celine is beating and powerful. The guitar is less used to leave more place with the keyboard and the percussions which revitalize the piece.
This song speaks about a woman who couldn't imagine her life without her man, like Celine with Rene. We can remember that during the concert at the Stade de France in 1999, Celine was crying singing it, as we just learnt about Rene's cancer.
It is a collaboration between Celine Dion, songwriter Carole King, and legendary Beatles producer, Sir George Martin. In addition to writing the song, Carole King also played the piano and sang the chorus on the track.
This sweet song is about trust. Celine's soft voice is full of emotion and sincerity.
"A few years ago, when I was touring in Japan, Celine tells, I met an incredible young violonist: his name is Taro Hakase, and we have recorded this next song together."
To love you more was the theme song for a popular Japanese drama series.
(Diana King, Andy Marvel / Billy Mann, Celine Dion) All the girl could want was a little attention From a man who's strong and not to mention Kiss and caressing her all night long But all that boy wants is to hit and run off He and his friends-they sit and they laugh Going around […]
Here is an up-tempo track with an acoustic guitar. Celine performs with power and hardness Erick
(Duet with Jean-Jacques Goldman) This is an up-tempo song with flights of voice which reveals Celine's energy.
The music and the voice are sweet and soothing.
"When Jean-Jacques sang in front of us 'S'il suffisait d'aimer', Celine tells, Rene and I, we cried like babies."
"If there were one track to choose on this album, Celine reveals, it would be without hesitating, 'S'il suffisait d'aimer'... because for me, it's like 'Quand on n'a que l'amour' by Brel, it's strong."
"Sometimes, Celine follows, the technique is perfect and the emotion is not there, so well it's not really good, we have to coordinate both at the same time, it's difficult, but I think I almost managed with 'S'il suffisait d'aimer'."